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THE Devil's Advocate (1997)
Produced by: Kopelson Entertainment / New Regency
Certification: USA:R / UK:18
Language: English
Genre/keyword:
Thriller / Crime / Mystery / money / flashback / intrigue / morphing /
based-on-novel / mythological / suicide /
_Horror_ / religion / sexual / voodoo / satanism / time-lapse / subway / sin / antichrist
/ incest / perjury /
black-magic / temptation / vanity / seduction / twist-in-the-end / blasphemy / subculture
/ sexual-harassment /
art / black-comedy / murder / lesbian-scene / goat / corruption / sexuality / insanity /
endless-loop /
supernatural / bilocation / psychological / law / courtroom / devil / law-suits /
father-son / _Drama_ / erotica
Runtime: USA:144 / UK:145
Sound Mix: DTS / Dolby Digital / SDDS
Distributed by: Warner Bros. [us]
Effects by: Out
of the Blue Visual Effects
MPAA reasons: Rated R for sexuality,
nudity, violence and language.
Directed by
Taylor Hackford
Cinematography by
| Andrzej Bartkowiak |
Original music by
| James Newton Howard |
Production Design by
| Bruno Rubeo |
Costume Design by
| Judianna Makovsky |
Film Editing by
| Mark Warner |
Produced by
| Barry Bernardi | (executive) | ||
| Stephen Brown (III) | (co-producer) | ||
| Taylor Hackford | (executive) | ||
| Anne Kopelson | |||
| Arnold Kopelson | |||
| Arnon Milchan | |||
| Erwin Stoff | (executive) | ||
| Michael Tadross | (executive) | ||
| Steve White (II) | (executive) |
Other crew
| Steve Adcock | .... | additional cinematographer: second unit |
| Carlos Arguello | .... | visual effects supervisor: Cinesite |
| Carla Attanasio | .... | visual effects co-ordinator |
| Rick Baker | .... | demons creator demons designer |
| Dennis Bradford | .... | art director |
| Bruce Branit | .... | digital matte paintings |
| Sarah Jackson Burt | .... | assistant propmaster |
| Sharron Cannon | .... | staff asst. |
| Betty Chin | .... | production co-ordinator |
| Thomas Clary | .... | digital production manager: POP Film uncredited |
| Mary Colquhoun | .... | casting |
| Gary Davis | .... | second unit director |
| Brad Dechter | .... | orchestrator |
| Glen Eytchison | .... | design consultant |
| Steve Ginsburg (I) | .... | assistant to Tony Gilroy |
| Eric Gotthelf | .... | foley mixer |
| Kelly Granite | .... | inferno artist |
| Michael Green (II) | .... | camera operator |
| Richard Greenberg | .... | visual effects designer |
| Burtt Harris | .... | assistant director |
| Mo Henry | .... | negative cutter |
| William Henry (III) | .... | editor: New York |
| Roberta J. Holinko | .... | set decorator |
| Adam Howard | .... | visual effects supervisor |
| Mick Kelly (I) | .... | assistant production co-ordinator |
| Tim Ketzer | .... | cgi animator: Cinesite uncredited |
| Nancy Klopper | .... | casting |
| Sarah Jo Knight | .... | assistant to Taylor Hackford |
| Gary Kosko | .... | assistant art director |
| Terry Ladin | .... | assistant to Charlie Zalbin |
| Brian Louks | .... | gaffer: visual effects unit |
| Gregory Lundsgaard | .... | steadicam operator |
| Dean Lyon | .... | senior compositor |
| Tod A. Maitland | .... | sound |
| Vern Nobles | .... | first assistant camera |
| Claudia O'Hehir | .... | assistant to Anne Kopelson |
| Marilyn Pessin | .... | assistant to Arnold Kopelson |
| Michael Pitt | .... | assistant to Michael Tadross |
| Stephanie Powell | .... | visual effects supervisor |
| Raymond Prado | .... | storyboard illustrator |
| Scott Rathner | .... | assistant camera |
| Thomas A. Reilly | .... | assistant director |
| Tom Southwell | .... | conceptual artist |
| Adam Stone (I) | .... | production executive |
| Edward L. Williams | .... | visual effects producer |
| Charlie Zalben | .... | unit production manager |
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